Arts
Afterword by DreamWorks Animation president Margie Cohn DreamWorks Animation brings Puss in Boots back to the big screen, following the daring outlaw as he risks his last life to find the fabled Wishing Star, which holds the power to restore his nine lives. The Art of DreamWorks' Puss in Boots: The Last Wish honors the studio's latest installment from the Shrek universe, presenting hundreds of character designs and concept art from the making of the movie, along with exclusive interviews from the writers, artists, and filmmakers who brought this story to life. Animation Magazine's editor in chief, Ramin Zahed, offers an insider's guide that provides a glimpse into the creative process and celebrates everyone's favorite leche-loving, swashbuckling, fear-defying feline. Includes Color Illustrations
Instant New York Times bestseller
The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans--and all movie lovers--could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.
--The Sydney Morning Herald "A strange beast: dark, whimsical and deeply moving."
--The Guardian "Like Miyazaki, Tan engages audiences across a wide range of age and sophistication."
--The New York Times